Answer the question Claire!

The Breakfast Club (1985)

I really should have been watching the dvd a friend lent me but instead I decided to properly watch a regarded classic that was on netflix that I'd never watched all the way through and mostly knew from being referenced on shows written by people who were in their 20s in the 80s.

The poster almost acts as a sequel because we don't actually know what happens on monday. This suggests that they do as Claire says and ignore each other. Maybe Bender gets accused of stealing her diamond earring. Hopefully Ally Sheedy whose character name I cant remember if it was even mentioned, chooses to dress however the hell she wants. So Emilio Estevez doesnt recognise her on monday and that romance which comes from having said about three words to each other is nothing but tears in rain. Anthony Michael Hall is presumably pulled out of school for bringing in a gun rather than just getting one days detention, and is given counselling and help.  Claire is clearly suffering from depression but she realises the last thing she needs are this bunch of a-holes around her, berating and abusing her.

I changed primary school half way through the second year. It was a little tough coming into a new place with new people, but I made good friends with the kid next to me - Andrew Stubbings. Some of the others were more stand-offish (or probably I was). Until one kid (William something) slapped me with a glove over some distant dispute and I slapped him back. We were put into a break time detention. One of the first times I'd been in trouble like that (I think i came home and cried). Standing in the coridor outside the Heads office with a couple of other boys from my class, we couldnt stop giggling. And after that we were friends.

So I guess acting like pricks does work like this movie suggests.

But by golly this bunch are just horrid. The nicest one is an entitled rich girl who can see the trap of the clique system but also understands she's at the top of it.

The rest are given various horrible backstories to force us to sympathise with just how nasty they are being to each other.

Though I'm not sure it quite realises how bad they are at times.

The most obnoxious one, Judd Nelson given a triumphant closing freeze frame, sexually assaults one of the others after constantly questioning her promiscuous nature and the film thinks this is charming I guess? What a rogue!

It takes someone who seems absolutely comfortable in her own skin, to the extent of using her dandruff to make art and blands her up (in an echo of the ending of Grease) which miraculously gets her the jock. It's weird and boring and the same time, a potent combination.

Still bits of it are fun, but I will take Jeff, Abed and the pizza delivery guy covering the dance scene any day.

   

Top 100 (97) Community Countdown. 90 - 81.

#5seasonsandalist

Part one 97-91 found here

90.

4x01 History 101

This episode had a lot to shoulder. A small but dedicated following, many keyed into the minutiae of behind the scenes events, asked to stay with a show that had lost it's very loud key speaker. Harmon was gone, and the worry was the show had so much of his DNA woven into that it would not be the same. Or were we all just too tied into the cult of personality? As mentioned in the last segment, it's admirable the new show runners and a few of the key previous writers tried to maintain the structure and offbeat nature of Community but everything is just a degree off. The jokes don't land quite as solid, despite generally sterling work as ever from the cast and even sending in a great ringer like Fred Willard can't pull this up to previous standard. 

"Whatevs, we'll take it next semes. Ter. Semester."

89.

4x10 Intro to Knots

One of those eps where it feels like Harmon would have worked his ass off (and by extension everyone else - one of the things that by some reports made him very hard to work for) to play the gimmick in interesting ways. It's a riff on Rope and for the opening at least gives the one long shot thing a go. McDowell has a lot of fun and the episode toys with the requisite twists and turns in a generally enjoyable manner.

"Good tidings, fellow Christmas celebrators. And to all a good wassailing."

88.

4x12 Heroic Origins

Everything is connected. It seems like the sort of story you tell when you've run out of things to say about your characters. So everybody had random happenstance encounters with others in the Study Group years before without realising it. It's mostly fun but seems to make the world seem too small, and ordaining a sense of Fate to them diminishes their love for each other.

"You linked all our stories, like how the Cosmic Cube assembled the Avengers. That, and the four billion dollar deal with Disney."

87.

5x12 Basic Story

This might be one of the episodes that plays better on rewatching, as it's very clever but not especially funny (some of the best Community are nowhere near the funniest) and features perhaps the single strangest gag the show has ever done (the punchline has someone slurping soup). The angle of Jeff proposing to Britta is (deliberately but still) off putting and abrupt. If the show had keyed in more of the Jeff feeling old arc teased in some earlier seasons and put to the fore in the G.I. Joe riff, maybe this plot would have worked but it feels like some unneeded, forced tension, of not knowing how to bounce the characters off each other anymore despite some sterling work earlier in the fifth year. Jonathan Banks remains brilliant.

"Because once the Internet knows about something, it changes."

86.

2x05 Messianic Myths and Ancient Peoples

The first on the list to be from what I shall ridiculously call the 'Classic Years'. To be honest this plays better to me now than a couple of others higher on the countdown but I recall it being the first episode I was less than keen on when it first aired. So it places here. It's pretty funny but the dramatic heft of the Abed and Shirley plotline seemed a little too heavy. Abed has been (and will be) an domineering, controlling dick before but whereas the group take the brunt of it in the Goodfellas ep or Uncontrollable Christmas here it just bullys Shirley alone and feels a bit more mean spirited. But hey, Shirley is great and can take it and it manages one of the sweet, silly resolutions that Community so often does.

"Everybody hates him, that's why he's cool"

85. 

4x02 Paranormal Parentage

So many on here could be switched around and I probably wouldn't complain too much. Ranking all the episodes against each other is a dumb kind of folly. There are episodes I really like (a lot of them), episodes I like (most of the rest). This one is ok. It continues the trend of keeping Pierce apart from the bulk of the cast that seemed to begin in series 3 and almost became codified in 4. Giancarlo Esposito is always welcome (had we got a 6th season I'd have loved for him to be in more) even if briefly.

"Ghosts can't go through doors, stupid. They're not fire!"

84.

4x05 Cooperative Escapism in Familial Relations

Another where Harmon's loss is really felt. For a while the show had been leading to this point. Winger meeting his father. This should have been the episode for Jeff that Abed and Troy had for their respective birthdays (we'll get to those eventually great episodes almost certainly both Top 10). Something more than a sitcom. The other plot is entirely throwaway and doesn't really manage to tie it's Shawshank riff into anything meaningful.

"I'm just a grown man who can't even look his own friends in the eye for too long because I'm too afraid that they'll see that I am broken. So you get credit for that. "

83.

3x06 Advanced Gay

Community could be a heightened, very silly cartoon reality. Sometimes perhaps it was a bit too much. The Pierce's father story fits in to that. Written off as a ghost in an earlier episode, and not really looking old enough to be Chevy Chase's dad it works but only just. Mostly because Chase is great and it's used to illustrate the differences and similarities between Pierce and Jeff, a pairing that lost some of it's power the more obviously villainous they made Pierce as the show went on. Also merited an apology from Harmon over concerns for the portrayal of gay culture (mea culpa here).

"I'm gonna eat space paninis with black Hitler and there's nothing you can do about it!"

82.

3x09 Foosball and Nocturnal Vigilantism

Shirley and Jeff get a nice pairing together with a conclusion that raises a slightly weaker episode on the whole. The B plot involving a broken Dark Knight DVD is slight fun but has a splendid Troy freak out. 

"Jeff, you don't have to worry about what foreigners think of you. That's your birthright as an American."

81.

3x11 Urban Matrimony and the Sandwich Arts

The character the show seems to have struggled with the most through it's entire run is Shirley. Brilliantly performed by Yvette Nicole Brown but defined character-wise by kids and religion in ways that were rarely allowed to be interesting. This plays out a couple of plots she was given (her ex coming back and trying to start a business) allowing Brown to utilize a few different beats. Apart from that it's a fairly humdrum episode.

""Webster's Dictionary defines"? That's the Jim Belushi of speech openings. It accomplishes nothing, but everyone keeps using it and nobody knows why."

Be back soon for 80-71. who knows what I will determine to put in there (probably at least including the one with Britta's ex and the one with the trampoline but maybe not)?

Top 100 (97) Community Countdown. 97 - 91.

#5seasonsandalist

The show is done (barring a resurrection through Hulu or some other means). I'm never going to finish reviewing all the episodes in order. So instead I've decided to do a countdown of all episodes from worst to best. A (not quite) Top 100. 

A note about this list: it's going to be fairly arbitrary, and had I compiled it another day certain episodes would no doubt be in a different order. I am not a season 4 hater by any means but I certainly find them the weakest for the most part so the first bunch on here will be mostly from that year. Also I have not yet rewatched any of season 5, so they have not had a chance to seep in as much as the others and possibly would be judged a little harsher than I will in a years time or so. So, here we go.

97.

4x09. Intro to Felt Surrogacy

To be honest I think the one I am putting at position 96 is probably worse but I wanted to start on a slightly controversial note to kick off discussions, as this ep. seems liked out there by a few people. The whole thing strains too hard to hit the emotional beats (seasons 4 and to lesser extent 5, hit this problem a lot) whilst riffing off a much stronger episode. Even here though, there is stuff to like. It never relaxed into trying to appeal to more people. The gags aren't as strong, the heart is not as tugged but it's clearly trying, the cast are game and the puppets are lovely, if a bit pointless.

"The level to which we respect you as a political activist has definitely not changed."

96.

4x04 Alternative History of the German Invasion

Because nobody demanded it - the Germans (well some) are back. Like some of the season 2 and 3 eps this positions the study group as having a horrible influence. Which can work as an idea but as ever with the fourth year it doesn't quite gel together. 

"Don't worry. If there is one thing Germans don't do, it's hold a grudge."

95.

4x07 Economics of Marine Biology

I might be a little harsh on this one, and suspect my 94 will be many peoples choice for worst but this one was more annoying by being generally bland. It has some fun ideas but I barely remember anything. Maybe the last time the show got anything out of the Pierce/Jeff dynamic

"get your damn hands off my Let’s,”

94.

4x03 Conventions of Space and Time

Poor in a host of ways, it plays out in dull fashion the Jeff and Annie of it all and Troy and Abed torn asunder again. But i still like the setting and there's a few good gags in there. And I still like Inspector Spacetime no matter how played out it may have felt by this point.

"I love doughnuts."

93.

4x13 Advanced Introduction to Finality

The problem with this episode is the character revelations are too insular and tied to one person. The show had already done sequels to fan loved ideas but the references here feel more shallow. Thankfully the show did not end on this slightly bum note.

"Congratulations, Jeffrey. You worked hard not to work hard to earn that degree."

92.

5x13 Basic Sandwich

Unfortunately this one did. Feeling like a fourth season episode where the wackiness (involving hidden treasure and computer hermits) didn't feel earned and a major moment of character love leaves out one of the core remaining cast (though she does get a lovely bit Jonathan Banks to try and make up for it). It's still unlike anything else on teevee, and i will always applaud it for that but this is far from the show's best and sadly now sits as the last.

"Depends on what fails!"

91.

4x06 Advanced Documentary Filmmaking 

Ah, the Changnesia storyline. The show has often struggled with how to play Chang, frequently going to the grotesquely over the top. This manages some nice humanising in the third act but still feels both undercooked and over egged. It gets, like the documentary eps before this, a few good digs at the format.

“Science tells us that hitting his head could only cure him if hitting his head was the original cause,”

So there is the first instalment of my Community Countdown. The next run of ten episodes will include a bit more stuff that is not season 4. As we've almost run out, and a couple of them will be placed higher than 81. But which ones? We shall see.

Community 1x03 Introduction to Film

3 episodes in and Community was cementing as one of the most delightful sitcoms around. A brilliantly funny, silly, heartfelt half hour that may have had a new character come in and basically spell out in not so subtle terms the theme of the ep but used that to show itself a show dedicated to exploring the characters inner lives as much as making references to Dead Poets Society or outrageous sneezes.

And to again harp on about the point of connecting with this show, there are moments here that seem to explore notions of my sense of self identity even when not dealing with any actual similarities to my life. So, of course, this is the first Abed-centric episode.

Abed is shown to have a very hard time understanding, and being understood by, the world around him. His actions are often quite callous, thoughtless and selfish. Friendships and familial bonds can be quite hurtful (in sort of passive non actual damaging ways), something Community would continue to examine throughout its run (particularly in the multiple timelines ep and last one of season 3) but through communication, if that can be achieved, connections are made. Sometimes this means spilling your heart in honest but embarrassing ways or engaging with the world without a cynical remove.

Jeff is still the anchor for the series being involved in the two main plots, which dovetail in a fun way with a kiss that shows the show very much had its eye on the Sam/Diane mode of sitcom arcs and Annie and Shirley are still much in the background (though Shirley gets a bit of personal business, exposing a raw nerve, that Yvette Nicole Brown just nails) but each of that cast gets some great material and Chevy Chase does a lovely bit of work with some various sneezes. John Michael Higgins is wonderful as the Greendale riff on a Robin Williams perennial. 

I absolutely love how Britta is so well meaning and unselfish of her time and money whilst being vaguely racist and condescending, characters are allowed to be both good guy and bad, often at the same time. Likewise the show allows Abed's film to be kinda crummy but it hits home far more than a polished, saccharine take would.

"This is no way to teach accounting!"

"9/11 was pretty much the 9/11 of the falafel industry."

"Pierce will top that in one minute."

"I think I shall have... A birthday cake!"

"Why are you dressed like an '80s rapist?"

"Our first assignment is a documentary. They're like real movies but with ugly people."

Extended version of Six Candles. Not exactly Citizen Kane

The goats moustache is Cameron Diaz.

Community 1x2 - Spanish 101

  There is a statement I keep hearing (particularly in regards to the controversial 4th season) that Community took a while to actually become good. As I point out in my look at the pilot episode (http://mondofilmaday.blogspot.co.uk/2013/03/what-is-community-college.html) I found Community to be incredibly strong right out the gate. Yes, I believe it got better as it got a firmer grip on the characters and more time to explore them and their surroundings but the foundation was remarkably solid as demonstrated in the second time out.

  This episode starts to flesh out Britta more fully and lays down details that would become more important as the series went on (her slightly condescending but genuine concern for Abed gives a nod towards the role she would take on as group analyst). But it works on a deeper level than just character setting, I think most people are inherently good (Community would come to look at this issue in an outstanding half hour before too long) but I worry constantly about my laziness and complacency without ever really doing anything about it. Community biggest strength is that at any given moment I identify with any of the main characters who seem to express concerns and exhibit foibles I myself suffer from. This episode looks at that well meaning lefty leaning individual who cares deeply about things but finds it hard to connect beyond the surface level and actually do anything about it. And is of course damn funny doing so.

  The other characters are not neglected either. We see the beginnings of the Troy/Abed platonic romance, and the easy, pleasing chemistry between the two. It doesn't go much beyond this yet, Abed is still mostly there to make 'meta' references but even that is in service of who he is as a person (again expressing a difficulty with relating to the 'real' world). Troy hasn't much of a personality yet beyond being a little dim perhaps (this would get exaggerated as time went on) but Donald Glover makes every line reading golden and the Spanish rap at the end is one of those things that wouldn't work at all if it wasn't for the talent and timing of the actors. Annie and Shirley serve as counter-point to Britta, actually doing something about the cause she pays (tape covered) lip service to and again establish a nice chemistry (that wouldn't get used as much) and show what a strong interesting cast the show has gathered.

  The other major pairing is Jeff and Pierce who get the piece de resistance in a outrageously funny spoof of inspirational montages and again this is used to not just deliver a punchline (though it's a great one) but to highlight character beats. Jeff is a selfish douche but being around these people is already changing him for the better. Pierce serves as a warning to Jeff as to what he could become which also fuels Pierces neediness as he tries to force father/son bond between the two, seeing perhaps a younger version of himself (or at least what he imagined the younger version of himself to be).

  We also get an introduction to the remaining regular on the show - Senor Chang, who would prove a little marmite as time went on (or judging by forums at the time even for this episode). Ken Jeong is nothing but hilarious here and the seeds of what would happen to his character are already being sown (check the flags on the back of the cards the Spanish class are given). And even his fairly one note character presents a deeper (though not exactly subtle as it is explicitly stated by said character) reading, the idea of disconnect and representing through stereotype. The joke of him being an Asian Spanish teacher works because none of the class seemed as fussed by it as he does.

  So two episodes in and Community was cementing itself as a show to watch. Next week would give more shading to Abed, a character I came to connect to in a way a teevee show has never done before.

• 'cos you guys usually spend the first twenty minutes talking about your interesting personal lives and your cool emotional problems
• My knowledge will bit her face off!
• Come on - hands! 90% of Spanish.
• To the empowerage of words.
• That dude is crazy - he told me that girls have two pee holes
• F, F minus.
• We can have a candlelight vigil like lesbians have on the news.
• What we have so far. Well, we have something incredibly long and very confusing and a little homophobic and really, really specifically, surprisingly and gratuitously critical of Israel. It's called ‘Two Conquistadors’. It should probably be ‘Dos’; I mean it is a Spanish class.

  

What is Community College?

Community 1x1 - Pilot.

September of 2009. I was just finalising my move into a business venture I had been planning for a while (I would open in October) but at least one other great thing happened. 

There were maybe two excellent network pilots that season. Both shared some similarities; taking place in an educational setting, a diverse mix of outsider types, funny gags and pop culture riffs and a heart firmly placed on sleeve. Glee, of course, when on to be a smash success (though it lost touch with the darker element that made it's pilot interesting and quickly became a mess) whereas Community cemented itself alongside it's characters. Marginalised, misunderstood, not well liked by the majority but loved somewhat intensely by a few (it's clear by occasional different forum perusal that some dislike for the show comes from a dislike of it's fanbase more than anything else), Community instantly clicked with me although it would be a little while before I found a deeper, even personal, connection that would push it beyond being a funny sitcom I enjoyed to something more revelatory and transformative. 

But that came later. To begin with it was just a show I liked a lot.

The first episode is one of the strongest comedy pilots I've seen. It has a bunch of wildly different types and does very well in sketching them out with broad strokes but beats that dig a little deeper than most shows. And whilst it does so it's already poking at the forms tropes and cliches and never forgetting to be very, very funny. Within seconds the show presents us 'the jock', 'the mom' 'the old guy' but shows them, with no dialogue, questioning this set up. Chevy Chase (pushed heavily by the marketing but relegated mostly this episode to sideline status) straight out the bat gives a great little visual double take.

The ensemble nature of the show is something not immediately apparent in this opener. It is firmly centred around the selfish Jeff (Joel Mchale) and his desire to bone the self righteous Britta (Gillian Jacobs) but the cleverness of the set up forces one character to define the others (for the audience) by first tearing them down and then building them back up again. The fact that both acts are not fully sincere doesn't matter because this is also the creator Dan Harmon telling you about these characters and each is given some nice beats to prove their comedy chops but also because that very insincerity is a telling detail of Jeff. Yvette Nicole Brown as Shirley perhaps gets the least to do (something the show would often come to struggle with) but has a great sense of timing and brings a different energy to the room that is valuable.

There is a huge amount of Dan Harmon bleeding into the script of this one. An argument can be made (and has I'm sure) that each character represents different personality disorders that the incredibly intelligent but often morose and insecure Harmon himself has, or believes he has. But in the Pilot Jeff clearly is positioned as his mouthpiece and uses him to explore notions of moral relativism (unusual for a sitcom and doubly rewarding because it's so funny) and exploring our position within society and indeed what makes up society itself. Though 'reference' humour abounds (John Hughes gets a memoriam in the credits) particularly with a funny Breakfast Club running gag, this episode plays with the sitcom form fairly conventionally (the Jeff/Britta pairing seems like every other comedy ever) than it would come to in the future.

This was a remarkably solid foundation, full of great jokes and an interesting, talented cast that would go from strength to strength over the course of the first year and hit an amazingly solid run in it's second before stumbling a little in it's brave almost troubling third and a sharp drop for it's fourth (and probably final) season. If anyone expresses interest (or not I might do it anyway) I will probably cover the rest of the series in bursts of two episodes each, though with some I'm not sure I will have much to say beyond listing the funny lines. And then with some I may (or may not) offer up an uncomfortably personal expression of how the show affected me. No idea on what my schedule for it will be.

Choice Cuts.

• No and, if I wanted to learn something I wouldn't have come to Community College
• Bears have feet
• People can connect with anything. We can sympathise with a pencil, we can forgive a shark and we can give Ben Affleck an academy award for screen writing.
• I thought you were like Bill Murray in any of his films but you're more like Michael Douglas in any of his films.
• Why are people trying to teach me things at a school that has an express tuition aisle?
• You just wrinkled my brain man.
• Funny thing about being smart is you can get through most of life without having to do any work
• What's going on? Can you guys hear me? Am i going deaf?

I am the backbone of colonial America!

I am still not entirely certain of the purpose or format for this blog, I want to do individual entries for each movie, hopefully more or less each day (though I'm already behind on that). But I'm a rather lazy writer with a preference towards writing short summaries of what I thought of a movie than something offering any depth particularly. Also I tend to write these as if to myself, so will very, very rarely mention any plot details or what the film's actually about as I prefer to just sketch in what did or didn't work for me. Oh and I tend to use parentheses (a lot).

In an effort to add some bulk, but also to allow a difference of voice and perhaps a more personal touch I will be asking anyone who lends me a film to just give me a few thoughts on it. Why they have lent it to me? What do they think is especially good (or bad, or just interesting) about it? Do they have a personal connection to it - was it the first film they saw at the cinema? That kind of thing. Just a few words to pad out my posting. It won't be a mandatory requirement so not giving me a few thoughts won't negate Rule 2. At least for now.

And so, on to the first movie I saw this year. Lent to me by Nottingham Film Critic Lauren Parker (although not as part of Rule 2 - I had in fact asked for this, and was given it last year but as i started to think of this endeavour I decided to save it for Jan 1st and the premier film).

Choke (2008)

This is a movie with a lot to like about it - another great performance from the ever reliable Sam Rockwell, it's funny and offbeat and filled with those little bits of typical Chuck Palahniuk business, the anarchist's handbook style details.
But writer/director and actor Clark Gregg (probably best known now for playing the slightly pathetic Shield agent in the Iron Man movies) doesn't have the strength of tone to carry off the Palahniuk novel with the same verve and success of Fincher's Fight Club (though that was also a better book to be fair). It all feels a bit too slight, with no consequence.
There is some fine support in Anjelica Huston and Kelly Macdonald.
Community fans - Cherry Daiquiri (that's not her real name) is played by Gillian Jacobs and is great in the brief couple of scenes we get with her.